Tekst: Ulrich Loock e.a.
Aantal pagina’s: 160
Illustraties: Kleur en zwart-wit
Uitgever: Phaidon Press (Contemporary Artists Series), 1996 (2001)
Since the end of the 1980s, Belgian artist Luc Tuymans has been developing an extraordinarily complex work, combining the question of representation and representability–inherent in any kind of painting–with a radical charge of pictorial motives. Grounded in a structure that is coolly figurative and drawinglike, and materials that are always preprocessed and mediated (for example, Polaroid shots, newspaper clippings, film stills), Tuymans creates calm, small-format pictures of cropped landscapes, objects, architecture, and seemingly masked people. In their pastel haziness, often primed with white, his pictures evade concrete designation. This book presents a representative selection of Tuymans’s works as well as a large group of specially created new works delimited by two central picture motifs: the cycle Die Zeit references the Holocaust, whereas Passion concerns the essence of religious belief.